This is a good first lens for beginners because it is easy to imagine what your images will look like before you even put the viewfinder up to your eye. A narrative feature will have a script and storyboard. Sigma set the camera world ablaze with this new lens. The lenses aperture is de-clicked which means that cinematographers will enjoy a lens whose movement is fluid and one that enables smooth aperture adjustments. Meaning this lens will in fact result in a shot that is more like ~ 130mm. Finally, the lens is fitted with an inbuilt hood, and as such, the manufacturers got rid of the filter attachment thread. I never looked back, eventually moving to a EOS 60D and then to the brilliant auto-focus equipped 70D (seen in photo above), and to the Canon EOS 80D. I’ve been shooting video for about fifteen years. If you have the budget I’d consider swapping out my #1 lens with a Canon 24-70mm f/2.8 L. It’s a professional staple. The craziest lens deal of all time. The lenses F/6.3 aperture is rather slow, especially at the 400mm zoom range. The Sony FE 20mm F1.8 G is a large-aperture ultra-wide-angle prime lens meant for portraits, astrophotography, landscape and street photography, as well as video. You can use a tripod or some form of rig to correct that issue, but if you’re like me, you’re doing run-n-gun and shooting documentary style… which leads me to this point…. Scenes will be carefully constructed, blocked, lit. Keep in mind most Canon DSLRs feature a APS-C sensor, meaning they are not full frame (like the Canon 5D Mk III). For example, in the Canon range the fastest lenses available are all prime lenses (down to f/1.2) where as in the zoom range f/2.8 is as fast as you’ll get. First using a good ol’ Canon Vixia camcorder; then in 2010 everything changed when I bought the EOS Rebel T2i and entered the world of DSLR video. Just keep in mind a lens, a camera… or any piece of gear for that matter, will only get you so far. IS is absent so you’ll need a (very) steady hand or (preferred) a rig. Am I crazy? That doesn’t mean that you need to spend a fortune mind you. Gonzo! I like the cheapest the best. I still carry it with me when I have a few extra minutes, especially at night. Get out there and shoot! I’ve listed these in the order that I’d recommend to someone building out a collection of lenses from scratch. If you were to poll a bunch of photographers and ask them what's the first lens a beginner photographer should buy, a good portion of them will say a 50mm "nifty fifty" prime lens. Try this Rokinon. Thanks to it glorious bokeh (the unfocused area of the frame) you might just be blown away by the results. Refine your style. All of the lenses I use listed below are under $1,000 – and, yet, the results can be perfectly acceptable, even at times amazing. While it is not necessarily the newest lens as far as technology is concerned, this diagonal fisheye lens is still a solid choice for a lot of videographers as it brags features such as its 8mm- focal length that is effective to 16mm. Some of our posts may contain affiliate links. The lens features two advanced aspherical elements and three extra-low dispersion glass elements. Thinking about taking the dive into video with your Canon DSLR? If I want to get some filmic looks I’ll swap it out for the Canon 50mm or (if I have extra time) the Rokinon 85mm. It’s a classic. Rating: 4.8 out of 5 Stars with 275 reviews. Again, mostly run-n-gun. Unless you are familiar with your filming needs, it is almost impossible to pick a Micro Four Thirds (MFT) lens. Again, it comes down to goals. Keep that in mind. Unlike some of its competitors, the manufacturers of this lens certainly figured out how to improve the telephoto capabilities of the lenses without compromising on the ultrawide optics. The Micro Four Thirds lenses discussed in our list above are impeccably constructed, combining their ingenious designs with magnificent optical quality and superior build quality. The lenses aperture is de-clicked which means that cinematographers will enjoy a lens whose movement is fluid and … Bragging a 100-400 mm zoom range which in the MFT world is equivalent to being able to effectively shoot at 800mm, this lens delivers unbelievably sharp and superb video quality even at its focal highest setting. At only $110 this is an amazing deal. On the other hand if you’re like me you’re primarily delivering at 1080p for the web, and don’t necessarily need a $25,000 lens to get decent results and viewers watching. As a prime lens, users cannot zoom on this lens. The LUMIX GX Vario 12-35mm/F2.8 provides users with outstanding optics thanks its variety of medium wide-angle to borderline fisheye. That means a flexible lens that works well in a variety of situations (also, I usually don’t have the luxury of being able to change lenses on the go, so I usually need a do-it-all). Again, that filmic look! Model: 6310B002. I didn’t recommend any of Canon’s premium L glass. How great it is to test new gear, or, better still, watch someone else test new gear? Canon - EF 40mm f/2.8 STM Standard Lens - Black Model: 6310B002 Panasonic GH4! The 18-105mm with STM is a perfect all-rounder, ready for just about any occasion, easy to use and almost silent. The lenses sheet filter which is mounted from the rear is occasionally an impediment for videographers and as such is not ideal. Joe. It retains its sharpness despite the focal length in use. I’ve been shooting most recent Stark Insider videos using this one, and it’s never let me down. With a pro price to match: $2,300. It brags a 7mm focal length and a 114- degree viewing angle for outstanding imagery sharpness and contrast. Blackmagic! SKU: 5729048. I love all that stuff… but my advice is not to get too fixated with all the infatuating minutia. The telephoto capabilities of the lens are unprecedented. If you want to buy ONE and only one lens get the Sigma 18-35mm f/1.8 and call it a day. Wrong’s What I Do Best – San Francisco Art Institute from Stark Insider on Vimeo. Phenomenal performance. This is the one. I can dial in a cinematic scene and the results are often spectacular. This is because, while some individuals may prioritize prime lenses with minimal f- stop, others may prioritize lenses that add to their camera’s zoom range. Cats. Lenses can be confusing. Shooting video with a Canon DSLR camera? With these 5 lenses in your bag, you’re pretty much set for anything (invasion of Godzilla excluded). Canon introduced auto-focus for DSLR last year with the revolutionary 70D. Thanks! In comparison to its competitors, the minimum focal length of 0.25m is insufficient. As a prime lens, users cannot zoom on this lens. If you are looking for an inexpensive prime lens that lets you create sharp videos with shallow depth of field, you should look no further. The Lumix GX Vario 12-35mm/F2.8 is one MFT lens that gives users value for their money. Several users have complained that the lens produces a clicking noise when one is changing either the zoom or aperture. Cons. It is equipped with Ultra Extra-Low Dispersion that ensures minimal to nonexistent chromatic aberration. This Sigma give me wider angles and superb low-light performance (F1.8). I love it. A great idea with plenty of creative spark could turn out beautifully when shot on just, say, an iPad or iPhone. We may receive a small fee for products purchased through these links, at no extra cost to you. I don’t have time to set-up scenes. As previously mentioned, picking an MFT lens heavily relies on a user’s needs. Well, okay, you might have a point. 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